Graduate Student
Madeline Eschenburg
Advisor(s): Gao Minglu , Terry Smith
Madeline Eschenburg is a PhD candidate studying contemporary Chinese art. She is currently writing her dissertation on performance art in Beijing in the 1990s with a special focus on projects involving migrant workers, the marginalized subjects of modernization. In the summer of 2016 she co-organized a conference for emerging scholars and artists which took place at the Sishang Museum in Beijing titled “Overwhelming Imagination: Achieving and Undermining Contradictions.” She is currently working on adapting included papers and discussions into a formal publication. Additionally, she helped organize and lead a research trip to China for Professor Gao Minglu’s seminar about curating contemporary Chinese art. On this trip the class interviewed artists in Beijing and Shanghai and collected documentary materials for an exhibition they will curate in conjunction with the Museum Studies class at the University Art Gallery about Apartment Art.
Education
PhD Student, History of Art and Architecture, University of Pittsburgh, Fall 2011- present
MA, SUNY Buffalo, 2005-2007 Advisor: Bingyi Huang
BA, Augsburg College, Art History and Studio Art double major
Selected Publications
Upcoming, “Apartment of Dreams Come True,” chapter in exhibition catalogue.
“An Artist Brings Art and Life Together in Beijing Apartment Complex,” Artslant, December 18, 2014, http://www.artslant.com/cn/articles/show/41560.
“Xing Danwen: Revealing the Masquerade of Modernity,” Yishu 33, Vol. 8, no. 4, July/August 2009. “Woven Together: Movana Chen and the Politics of Identity in a Global Society.” Yishu, May/June, 2010.
Translation (Mandarin, Chinese, to English):
Song Yongping’s Print Symposium (book), Tianjin Social Sciences Publishing House.
Forthcoming.
Selected Awards
Chancellors Graduate Fellowship in Chinese studies, Spring 2016
Fulbright Student Fellowship, 2014-2015
University of Pittsburgh Arts & Sciences Fellowship, 2011-2014
FLAS Fellowship, Summer 2012
Graduate Assistantship and Scholarship, SUNY Buffalo, Spring 2007
Conferences and Public Speaking
“Art for the People: Qiuzhuang Project and the History of Rural-based Projects in Contemporary Chinese Art,” lecture at Aurora Museum, Shanghai, July 18, 2015.
Panel moderator for “The Female Voice in Contemporary Chinese Art” at the Bookworm Literary festival, Beijing, March 29, 2015.
“Wen Fang’s Collaborative Projects: Connecting Rural to Urban, Global to Local” at Global Goes Local: Visualizing Regional Cultures in the Arts of Greater China (symposium), Hong Kong Baptist University, June 27-29, 2013.