Honors Theses

“Upside-Down in London: Georg Baselitz and His Entrance into the International Art Scene”

"Showing and Exposing: Re/encountering the Environment through American Painting, Photography, and Television."

“The Feminist Secretary: Activism, Typewriting, and the Gendering of Labor in the Work of Sheryl Oring”

“Building a ‘City of Reference: The United States Botanic Garden and Washington, D.C.’ ”

“Performing Incanismo: Cultural Tourism at Machu Picchu, Peru”

“Carlo Crivelli Matters: A View of the Renaissance from the ‘Periphery’ ”

“Should Art Labor Be Free?”

"Radical Muralism in Three Dimensions: A Reexamination of Siqueiros' New York Workshop"

"The University Studio: Oiticica, Rhodislandia, and Peripheral Strategies in Art Making"

"Women and Empore: The Issue of Gendered Space in Ottonian Architecture"

"Sprituality of Non-Sacred Space: Sanctifying a More Socialist Agenda"

"Religion Transformed: The Christian Roots of a Secular Russian Craft"

"Flight 93 National Memorial, the African Burial Ground National Monument, and the Pursuit of Child-Appropriate Memorial Designs"

"Creation and Contemplation: The Flight 93 Memorial and the National September 11th Museum"

"Reinforcing Femininity: Exhibiting Empress Dowager and Marie Antoinette in the 21st Century"

"Faces of Empire: Social Discourse of Field Marshal, 1st Baron, Sir Jeffrey Amherst's Portraits Create in Life"

"Methodological Suffering: Chinese Buddhism as a Tool in Zhang Huan's Early Performance Art"

"The Politics of Display: Transnational Convergence in the Chinese Nationality Room"

“Embodiment and Decoration: Henri Matisse’s Rosary Chapel in Vence, France”

“Curating Minimalism at the Carnegie Museum of Art”

“Re-Thinking Architecture: A Call for a New Social Space”

“The Encounters Project: Teaching Art History Outside of the University”

“Tracey Emin’s My Bed: Creative Space and Mythic Consequences”

“The Display of Cylinder Seals”

“Circulation, Access, and Tourist Experience: Berlin’s Center and Periphery as Cast Study”

“Painting with Light: The Composite World War I Photography of Frank Hurley”

“The Nature of the High Line: A Jacobsian Perspective on New Yorks ‘Park in the Sky’”

“Representing Genetic Disease in Modernity: Rick Guidotti as the Contemporary Medical Photographer”

“Antagonistic Therapy – Krzysztof Wodickzko’s Abraham Lincoln: War Veteran Projection”

“‘A Semana de Arte Moderna’ and the Creation of a Brazilian National Identity for Art in 1922”

“Food for Thought: Rethinking the Process of Processing with Andy Warhol’s Time Capsules”

“Gender, Sexuality, and Subjectivity in Hipster Visual Culture”

“Taboo Icons: The Photography of Andres Serrano and the Visual Politics of the Body”

“Pinning Up Venus: Origins of the Newbrow”