Data (after)Lives: The Persistence of Encoded Identity
“'The experimental exercise of freedom': Domingos da criação at the Museum of Modern Art, Rio de Janeiro, 1971”
“Decomposing Bodies to Data (after)Lives: Expanding Modes of Academic Research”
Benjamin Lay and the Iconography of early Anti-Slavery
Artist Research/Practice: What does research look like for artists? How is research both part of and separate from studio practice? How can we support students as they develop their practice? Studio and research practices intertwine, informing one another. As we explore the relationship we also look to artists whose practices extend beyond the studio.
"How Did They Do That?" A forum for answering the process questions abbreviated in Monday's talk.